I create paintings with figurative and landscape imagery inspired by the intersection of transgender life and the natural world. Much like the body of the Earth, transgender bodies are subjected to Post-colonial Capitalism’s needs––which rely on binaries, alienation, hierarchies, and extraction to survive. And like the Earth, trans people are in a constant fight to defend themselves, their autonomy, their beauty, and their futurity each day.

As I materialize the connection between transgender identity and the Earth, I put purposeful care into depicting my subjects with paint––whether it be my body, a friend’s, or a tree. In my paintings, I purposefully shift between rendering modes. I use color, rendering, mark-making, and composition to control where the viewer is allowed and refused visual information. My palettes are frequently inspired by the unusual, saturated and surreal colors found in our adapting world.

Physicist and poet Karen Barad writes on TransMaterialities: “Materiality in its entangled psychic and physical manifestations is always already a patchwork, a suturing of disparate parts.” As I paint, I ask myself: Who cares for these patchworked bodies, these assemblages––the eroding coastline and my transgender friends?



At Your Touch, series of 10 drawings, 36 x 24 inches, charcoal on paper, 2020. 

EEF Drawings, ongoing series, 19 x 13 inches, pen and print on paper, 2020.



The Glimmering Wing was a library of artist books hosted by 41 Cooper Gallery in February of 2017. The collection featured artist-books commissioned and made by Eli Hill and artists Page Page and Mary Wichmann. Each artist was prompted to create artist-books that show a sensation of the body that is otherwise invisible to the eye. 

During the length of the exhibition, the space hosted a film screening, performance night, poetry reading, poetry club meeting and open study hours.